I’ve finally finished all the beading on the neckline. It was a lot of work but I think it was worth it, the finished piece is really effective.
Next was to attach the neckline to the dress. I started by pinning the neckline to the dress while on a dress former to make sure it was stretched slightly.
Turning under the edge all the way round the neckline, pinning as I went.
Then I slip stitched all around the inner edge, making sure that the fabric was smooth and turned under enough not to be seen from the outside.
In the centre front I stitched two lots of bugle beads between the two sides to maintain a certain spacing while still being open.
With the dress back on the former I pinned the outside edge of the neckline and again invisibly hand stitched under the edge.
The last finishing touches are to stitch the arm holes, hem and side seams.
I’ll include a few images of my progress on the beading as this is going to take a while – but hopefully over time this collection of images should give a really nice overview of the progress.
I recently attended Add Sparkle to you Dance workshops with Kay Taylor in Cardigan, during which she covered – including many other things, some arm movements and positions for Baladi style Bellydance (Baladi is not normally my thing as I’m definitely a tribal girl). But while dancing this gave me an idea for a new costume.
The inspiration is a Baladi style dress taking some influence from ancient Egyptian jewelery and designs without it being overly obvious.
I’m not a great fan of Lycra fabrics as most Baladi dresses seem to be made of, so decided that I’d go with a rich stretch velvet in a dark royal blue – with dark blue, gold, red and possible turquoise beading.
I decided that I would bead the neckline and then work out if I wanted a belt as well, because the neckline may be enough without the belt. Next I’ll tackle the shaping and pattern for the neckline.